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[Song or release title]
[Artist name]
[Exact mixing and/or mastering credit]
Listen ↗ — listening URL pendingThe Clow Engine
Tommy's mixing and mastering rig — the setup every Clow Studio record passes through.
One rig, one pair of ears, start to finish. The Clow Engine is the setup Tommy mixes and masters everything on — the same chain whether it's a single or a full record, so a project sounds like one record, not a pile of sessions.
The Clow Engine is my audio rig, tailored for mixing and mastering. Its workflow is inspired by a console — without actually having one.
It's an evolving rig — analog summing, with my mix bus routed to an A/D — and every piece in it is there so I can cover any sonic situation. Want it to sound like tape? I've got that. Want it to sound 2000s? I've got the hardware for that.
The point of the Engine is translation: a mix that only sounds good in the studio isn't finished. Work done here is checked the way listeners actually hear it — earbuds, cars, everyday systems, and streaming — so the song holds up everywhere it lands.
Send the multitracks or stems, a rough mix, and a reference track you love the sound of. It comes back balanced, clear, and ready for release: a streaming-ready master plus a full-resolution WAV for your archive.
Tommy Rei — mixing & mastering engineer
Photo of Tommy to be supplied
Clow Studio is Tommy Rei. One person across your whole project — mixing and mastering under one roof — so nothing gets lost between engineers, handoffs, and email threads. You send the song; Tommy is the one who hears it, shapes it, and signs off on the final master.
The approach is simple: serve the song first. Processing follows the performance, the vocal stays the centre of the record, and the finished mix has to survive real listening — not just the studio monitors.
Warm, clean, quietly atmospheric work — sandalwood and magic, without the decoration getting in front of the music.
Get in touch
Working on a song that needs mixing, mastering, or both? Send Tommy an inquiry below.